Cristina, his beautiful wife tries to reason with him, but to no avail. While local officials don’t take her seriously, Davide not only believes her fascinating story, but also falls in love, even though he’s already married. She felt it necessary to eliminate him after realising he’s not the one she’d been waiting for 350 years with whom to loose her virginity. But Maddalena opines it was done in ‘self-defence’ – despite admitting to seducing the hunter in the first place. Young psychiatrist Davide arrives at a Tuscan town to assess Maddalena, a woman accused of murdering a hunter. His drama, “La Visione del Sabba” is certainly in that category as he explores medieval sorcery and mental illness through a modern perspective. Because of his propensity to mix reality with fantasy, some of his films have often been misinterpreted as being surreal. The nineteen eighties saw several important film makers experimenting with narrative styles – mostly by infusing poetic license into them – and Marco Bellocchio was part of the bandwagon.
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